Hey all,
Got an inquiry from someone who enjoyed contra dancing at Flurry, has a big
barn (120 people) at which they've held barn dances in the past, and is
curious about holding a contra. Would anyone be interested in calling an
event or two for them? Let me know, and I can put you in touch.
Cheers,
Maia (Brooklyn, NY)
--
Maia McCormick (she/her)
917.279.8194
Hello Friends! Look what’s being offered at CDSS American Week at Pinewoods
(July 19-26). Not one but 2 Callers Classes! Wheeeee!
*Let’s Throw A Barn Dance! – Janine Smith*
Ever been asked by a friend to call a dance at their wedding? Or are you in
a community with a lot of 20- and 30-year-olds and you want to get them up
and dancing *fast*? Want to dance some really fun, easy dances in the last
period of the day? Well, come on down! Learn how to call simple but
satisfying dances that build community and get everyone (including you)
smiling and laughing and having a *big old time*. Dancers, callers, and
musicians are welcome to attend this very happy workshop. On Thursday, we
switch over to honky tonk line dancing to get ready for the big after-hours
Roadhouse. This class is where the fifth period P-A-R-T-Y is!
*Contra Caller’s Confab – Lisa Greenleaf*
We love getting into the nitty gritty of calling and will explore a
different theme each day. Participants can choose from such topics as:
stellar walk throughs, working with musicians, programming secrets, gotta
have stage presence, and practice-practice-practice! We will create a safe
space to enjoy learning from each other, so get ready to boost your skill
set and your confidence! All experience levels are welcome.
ALSO, Pourparler is as magical as
Dear fellow dance organizers,
We’re very excited to be gathering with many of you this spring at Puttin’
On The Dance 3 - Dancing Forward Together!
We want your input to help develop the conference program.
Can you share your thoughts by completing this short survey by March 12th
<https://forms.gle/Zy7ce7Aij2dhBte38>?
Reminder that conference registration opens March 1st at
www.puttinonthedance.org!
We have some great news. We’ve heard from five organizations that have
pledged funds to support the conference and reduce the cost for
participants. We’re grateful to Country Dance & Song Society (CDSS), New
England Folk Festival Association (NEFFA), DownEast Friends of the Folk
Arts (DEFFA), Montpelier Contra Dance, and Belfast Flying Shoes for
stepping up early with sponsorship grants.
Plus, some organizations are offering partial scholarships. We will post
the details soon on the POTD website - how to fund your attendance page
<https://www.puttinonthedance.org/register/fund-your-attendance/>.
Thanks again for completing the survey <https://forms.gle/Zy7ce7Aij2dhBte38>
.
Dance organizers like you are so important in this world. You give people
an opportunity to connect in a positive and real way: face-to-face, hands
joined, Dancing Forward Together.
Thank you all!
POTD3 Planning team (Patty, Chrissy & Emily)
--
puttinonthedance.orgfacebook.com/PuttinOnTheDance
*You're on the POTD email list because we think you're interested in
conferences for dance organizers. Let us know if you want your address
removed. *
Hi all,
I live in a relatively isolated community in the contra dance world. To the
extent we have a house caller it's me. We are trying to foster and develop
new callers, but you gotta have bands too. So,
I'd welcome your thoughts on working with new bands.
My motive for asking is, a couple of times in the last year we have had new
bands come play for our monthly dance. One was a blue-grassey country band.
Another was a family group playing predominantly Irish tunes. Their musical
skills were fine and their repertoire was serviceable, and they did okay,
but there were definitely some rough spots.
New musical talent is a valuable commodity for us, and I want to set them
up for success. So, how would you approach this? I'd especially love to
hear from folks who have done this sort of thing before, but all thoughts
are welcome.
Joseph Erhard-Hudson
Moscow, Idaho, USA
I need to change my email address to sleepysunstudios1969(a)gmail.com
How do I do this?
Thank you!
Forget not that the earth delights to feel your bare feet and the wind longs to play with your hair. -Kahlil Gibran
On Wednesday, February 19, 2025 at 10:00:15 PM MST, <contracallers-request(a)lists.sharedweight.net> wrote:
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Today's Topics:
1. working with inexperienced bands (Joseph Erhard-Hudson)
2. Re: working with inexperienced bands (sjapartments(a)gmail.com)
3. Re: [External] working with inexperienced bands (Tepfer, Seth)
4. Re: Classes for callers? (Emily Addison)
5. Re: working with inexperienced bands (Gregory)
6. Re: working with inexperienced bands (Robert Matson)
7. Re: working with inexperienced bands (Mac Mckeever)
----------------------------------------------------------------------
Message: 1
Date: Tue, 18 Feb 2025 23:45:40 -0800
From: Joseph Erhard-Hudson <josephatthecoop(a)gmail.com>
Subject: [Callers] working with inexperienced bands
To: Shared Weight Contra Callers
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Hi all,
I live in a relatively isolated community in the contra dance world. To the
extent we have a house caller it's me. We are trying to foster and develop
new callers, but you gotta have bands too. So,
I'd welcome your thoughts on working with new bands.
My motive for asking is, a couple of times in the last year we have had new
bands come play for our monthly dance. One was a blue-grassey country band.
Another was a family group playing predominantly Irish tunes. Their musical
skills were fine and their repertoire was serviceable, and they did okay,
but there were definitely some rough spots.
New musical talent is a valuable commodity for us, and I want to set them
up for success. So, how would you approach this? I'd especially love to
hear from folks who have done this sort of thing before, but all thoughts
are welcome.
Joseph Erhard-Hudson
Moscow, Idaho, USA
Hello all,
A comment someone made at a recent dance festival about not liking the
current bird language in contra dancing got me thinking about the "Birds
Aren't Real" movement, a fake conspiracy theory
<https://en.wikipedia.org/wiki/Birds_Aren%27t_Real>, with a founder who
wants to address the desire for belonging
<https://www.youtube.com/watch?v=3VEkzweBJPM> (that I think relates to why
we contra dance). Anyway, I decided I should write a dance called "Birds
Aren't Real"; and that there should be deliberate ambiguity in the dance.
Similar to Schrödinger crossword puzzles
<https://blog.brightsprout.com/examples-schrodinger-puzzles/> with multiple
solutions <https://www.xwordinfo.com/Quantum>.
I'm not saying this is a good dance, or that it should even be danced, I'm
saying it was a puzzle that I had fun with while processing, and wanted to
share:
Birds Aren’t Real
by Luke Donforth
Contra/Improper
A1 -----------
(8) Circle 3/4
(8) Back to Back on the side 1x
A2 -----------
(16) Partner balance and swing
B1 -----------
(4) Balance the Ring
(4) Roll neighbor away across the set
(8) Catch and swing partner on the other side of the set
B2 -----------
(8) Other Way Circle 3/4
(4) Balance the Ring
(4) California Twirl with Partner
A circle right in A1 sets up a see-saw, then a balance and swing with your
partner in the A2, whereas a circle left in A1 would probably work better
with a do-si-do before the balance and swing; hence the back-to-back
language.
It's a double partner swing, reflecting the unfortunate echo chamber of
conspiracy theories. Because the swings are only with your partner, who
ends on the left and right doesn't have much impact on the dance, and bird
language is optional. But then I wanted a partner and a neighbor swing, and
(building on the birbs meme
<https://www.audubon.org/news/when-bird-birb-extremely-important-guide>)
this fell out:
Birbs Aren’t Real
by Luke Donforth
Contra/Improper
A1 -----------
(8) Circle 3/4
(8) Back to Back on the side 1x
A2 -----------
(16) Partner balance and swing
B1 -----------
(4) Balance the Ring
(12) Neighbor swing (middle of the set)
B2 -----------
(8) Other Way Circle 3/4
(4) Balance the Ring
(4) Turn alone to face new neighbors
Again, not one I anticipate calling, but there it is. As Asher Elbein says
for Audubon: "*regardless of birb-status—all birds are good."*
And much like Peter McIndoe has to break character at the end of his TED
talk, I feel I should be explicit about where I stand: I first and foremost
want safe and inclusive dance spaces. I prefer the language of Larks and
Robins while acknowledging it is not flawless; and am willing to use
other terms at the request of the community.
Happy Dancing!
Long time dancer, first time caller.
Anyone know of any courses / workshops to improve my calling (in person or
online)? I'm willing to travel for the right course. (E.g. Meet Me in St
Louis had a calling workshop in 2024, but the schedule isn't out yet for
2025.)
My wife and I were long-time Boston-area contra dancers who are now trying
to bring the tradition to our adopted city in Austria. Almost all the
dancers are new, I'm a new caller, and I believe it would help me to attend
a class to learn more and get feedback on my technique.
Thanks,
Brian
----
Bringing contra dance to Graz, Austria https://contradance.at/
HI all,
We performed these as a cabaret at the ceilidh last Saturday,
so I finally got some good videos.
Wheels Within Wheels by Carmen Giunta
A beautiful dance in waltz-time in an unusual formation
https://youtu.be/I8qBKFqsDCU
Sun Skip by John Sweeney
A contra-style dance for three couples in a circle
https://youtu.be/j_6K58i-cb4
Click "...more" below the videos for lots more information, including the
instructions.
Happy dancing,
John
John Sweeney, Dancer, England john(a)modernjive.com 01233 625 362 & 07802
940 574
http://www.contrafusion.co.uk for Dancing in Kent
Hello callers,
Apologies for the non-contra question: I'm looking for a dance that a
musician remembers and would like called. He pictures trios facing
around a circle like spokes, waltzing somehow and the middle dancer
progressing to the next trio.
Please let me know if you have a dance that matches this description!
David Kreiss-Tomkins